2023 | ‘Are we having fun yet?’: The Starz television network and Party Down as indie TV
| Lyons, J |
1 June 2021 | Book review: 'Gender, citizenship, and identity in the Indian blogosphere: Writing the everyday' by Sumana Kasturi
| Deshbandhu, A |
7 October 2022 | Building planetary preparedness: The Arctic Circle as space weather sentinel territory
| Taylor, ARE |
30 January 2023 | Cloud Backup and Restore: The Infrastructure of Digital Failure
| Taylor, ARE |
30 September 2022 | Cloudwork: Data Centre Labour and the Maintenance of Media Infrastructure
| Taylor, ARE |
30 November 2022 | Cognitive Dissonance in Social Media and Face-to-Face Interactions in Relation to the Legacy of War
| Vico, S |
22 February 2023 | Concrete clouds: Bunkers, data, preparedness
| Taylor, ARE |
28 July 2022 | Developing a ludic framework for counteracting interventions for dementia: A narrative and analytic review
| Deshbandhu, A; Innamuri, R; Kattula, D |
19 May 2023 | Ichneutai by Sophocles: The invention of (theatre) music?
| Thomaidis, K; Roesner, D; Taylor, M |
1 September 2022 | Introduction: On air
| O'Malley, E; Preedy, CK |
27 September 2022 | Living Film Histories: Researching at the Bill Douglas Cinema Museum
| Wickham, P; Hanson, H |
31 July 2022 | Ludic Prognostication. Games as Sites for Simulating the Future
| Deshbandhu, A |
7 December 2022 | “Mundane” Performance: Theatre Outdoors and Earthly Pleasures
| O'Malley, E; Turner, C; Garcia, G |
14 December 2022 | Navarasa Sadhana 50th Anniversary: An embodied exploration of sringara
| Ciampi, G |
19 July 2021 | Postcolonial pandemic publics: examining social media health promotion in India during the COVID-19 crisis.
| Roy, D; Das, M; Deshbandhu, A |
31 December 2022 | Powering ‘smart’ futures: data centres and the energy politics of digitalisation
| Ortar, N; Taylor, ARE; Velkova, J; et al. |
20 July 2022 | The Red Flag and Other Signs: Reconstructing Socialist Identity in Protest as Performance
| Hillman, R |
28 November 2022 | Repurposing a WhatsApp group: How a fantasy cricket group transformed into a site of care and support during India's second wave of Covid-19
| Deshbandhu, A; Sahni, S |
2 November 2022 | Spain’s ‘first feminist film’: Feminism and Francoism, Margarita and the Wolf (Cecilia Bartolomé 1969)
| Faulkner, S |
25 November 2022 | Transadaptation and Bollywoodisation in Tanika Gupta’s Hobson’s Choice and Wah! Wah! Girls
| Daboo, J |